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8032b337e7
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8727e72245
8 changed files with 13 additions and 479 deletions
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@ -7,71 +7,3 @@
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- [[https://youtu.be/qynZtQICdtk?si=zU-bh4iBYrAOXrdW][youtube video]]
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- [[https://youtu.be/qynZtQICdtk?si=zU-bh4iBYrAOXrdW][youtube video]]
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* notes
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* notes
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** how it normally goes
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*** you gave away your session files without saying one of the following:
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- hey i'll send you the session files you send me the paperwork
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- hey let me send the paperwork over to you
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- let my attorney contact you with the paperwork
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*** in this case you are fucked
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- session files are out of yoru control
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- and the negotiations are now up in the air
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- they can make moves without you
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- they already have it
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** producer contract
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*** you need this if you are
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- manager
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- artist
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- producer
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- record label
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*** for producers the contract must have the following:
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1. producer fee
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2. advance
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3. points in there
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4. publishing in there
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5. [[file:../../music_legal_basics.org::#soundexchange-lod-producer-contract][sound exchange LOD]] (Letter of Direction)
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6. mechanical royalties
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7. writers credit
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8. must also include insurence
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**** fee
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- non recoupable
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- you don't owe the record label back
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- artist does have to pay this back
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- what you get for making the beat
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- nothing to do with advance
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- you will not be credited on your royalties
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- this is for packaging the product and delivering it to the label
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**** points
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- percentage of streams and sales outside of the master recording you produced
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- usually 3.5%
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- this is the one thing you want outside of your publishing
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- will produce a lot of money
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- points come from master recording
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- you don't want this on advance
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**** advance
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- recoupable
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- advance against your producer points
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- you have to pay this back
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**** writers credit
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- you will get credit on musical work copywrite and writers share of performance royalty
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- you get credit as an AUTHOR on the writers share on PRO (performance royalties)
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- percentage is direclty correlated with your publishing percentage at the PRO and mechanical royalty collection societies
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**** mechanical royalties
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- royalties paid every time your song is reproduced on:
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- streaming sites
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- social media sites
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- sheet music
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- etc
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- you need to receive these WITHOUT REDUCTION
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- your contract must state you get paid 100% of scale
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**** sound exchange LOD
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- allows producers to receive a portion of artists share of the performance royalties
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@ -1,57 +0,0 @@
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#+title: find the right lawyer for your record label
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#+HTML_HEAD: <link rel="stylesheet" type="text/css" href="../../../_share/media/css/org-media-sass/categories/business.css" />
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* Links
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#+attr_html: :class links
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- [[../../toc.org][TOC - Music Money Makeover]]
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- [[https://www.youtube.com/watch?v=Pxht0nqnhws][youtube video]]
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* notes
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- you need an affordable attorney
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- connections are what get you an attorney
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** where to get a lawyer
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**** connections
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- get referral through people
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**** online
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- american bar
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- martin dale hubble directory
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- american bar
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- you can ask BMI directly
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** what kind
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- in your genre
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- hip hop world is not the same as pop world
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- way and style of doing contracts might not be congruent with the people in that world
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- make sure they are good at what you need
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- record contracts
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- negotiating good deals
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- understand your position
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- new
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- someone who can explain some things to you
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** what you need
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- standard recording contract
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- producer agreements that attach to recording contract
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- management contract for an artist you are managing
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** retainer services
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- cant afford it
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- don't have enough business transactions coming in yet
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** build relationship
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- keep checking in with lawyer
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- pay for time
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- letting him know what is up with you
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- this shows you are here to do business
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- so if you run into other people and he is there, he will introduce you
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** how do we know if the lawyer is right?
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- we don't. we are here to get the contract
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** why not google?
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- lawyer knows the scene
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- understands your security issues
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#+title: understand music contracts so you don't get screwed
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#+HTML_HEAD: <link rel="stylesheet" type="text/css" href="../../../_share/media/css/org-media-sass/categories/business.css" />
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* Links
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#+attr_html: :class links
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- [[../../toc.org][TOC - Music Money Makeover]]
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- [[https://youtu.be/IxpnflsDo5s?si=Y4_BTRfPZqmHZo9V][youtube video]]
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* notes
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** correct attitude
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- it is all about give and take on the contract
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- you cannot own everything
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- you must give up something
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- you will have to pay people to make things happen
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- specifically
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- is it to restrictive / what clauses make it to restrictive
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- is it flexible enought to allow for future changes in your music career
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- does it cover all the details or does it leave things out
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- this may be a question for your attorney
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** refresher on copyrights
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[[file:../../music_legal_basics.org::#copyrights-explained][Copyrights Explained]]
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** purpose of a contract
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1. establish a business relationship between two parties
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2. define the rights and responsibilities between each party
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3. split the profits between each party
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*** purpose who, what
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- who is the contract between
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- what is it for
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*** exclusivity
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- is it exclusive to the party we are signing to
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- are we forbidden from doing this kind of business with anyone else
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- incentivizes one party to work hard
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- or is it non exclusive
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- lets you move about the chessboard freely
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*** the term (length of time)
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- how long is it going to be
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- optional renewal period
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- if one party didn't do their job, but they renew it is a problem
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- has to be written correctly
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*** territory (geographic)
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- local
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- worldwide
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** what rights are you giving up
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- understand what you are agreeing to
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** advances / royalties
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- these are advances on the projected sales that the side thinks the artist can make
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*** things for the artist to consider
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- how much advanced
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- how much must be repaid
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- what percentage of projected earnings is the artist gaining
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- when must it be repaid
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- how can it be repaid
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*** royalties
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- what is his cut
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- of this how much must be given back to the advance
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- when will he receive the royalties
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- how will it be paid
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** warranty
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- what can I not be a part of
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- what must I not be doing
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- we also have to confirm that the receiver will not be crossing lines with another contract
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** attorney
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*** when to get an attorney
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- too involved
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- seems sketchy
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- too complicated
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- any disputes
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- any breaches
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- any amount over $2000
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- ESPECIALLY when its going somewhere
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*** where to get an attorney
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- linked in
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- music functions
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*** breaching contract
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- speak to an attorney and tell them you have a problem with the contract and want to find an exit
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- if there is no exit, find out what the consequences are of breaching the contract
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** final words
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- find a producer contract and learn how to read it
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- find a split sheet and learn it
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- learn how to read a basic record deal (360 deal)
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** structure of contract
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*** top of contract must have
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- purpose
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- exclusivity
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- term
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- territory
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*** you don't want that buried
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@ -1,79 +0,0 @@
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#+title: producers & songwriters double your money
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#+HTML_HEAD: <link rel="stylesheet" type="text/css" href="../../../_share/media/css/org-media-sass/categories/business.css" />
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* Links
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|
||||||
#+attr_html: :class links
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||||||
- [[../../toc.org][TOC - Music Money Makeover]]
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|
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- [[https://youtu.be/dhT309VGQgQ?si=ie5EJIvwNntKe2xg][youtube video]]
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* notes
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- producers and song writers are not making money bc of over saturated market
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- prodcuers and song writers must work together
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- beat maker + song writer = producer
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** definitions
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*** music producer
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- music writer
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- composer
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- song writer
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*** song writer
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- lyric writer
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- author
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*** in the eyes of the publishing world
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- its the same thing
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- you are producers
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- produce a body of work to be sold to a customer
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** if a songwriter can sing
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- catalog your music like albums
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|
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- this doubles value in pitching to
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- sync agents
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- record labels
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- he needs a hit, better if the hit came with a song
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- publishers
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|
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- a beat is cool to publisher but it aint great
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|
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- they'd rather its done and pre-catalogued
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- you can do a song deal as opposed to a term deal
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|
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- advertisement music agencies
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|
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- they are doing deals with libraries
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|
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- people want full songs more than beats alone
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|
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** pay your songwriters
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|
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- if you place a song with a songwriter give them a cut of the producers advance
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|
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- this will gain a talented ally
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|
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- if songwriter produces vocals or writes and demos the song cut them in on producer's points
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|
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|
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** teams
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|
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- breaking up a 5% deal
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|
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- these teams can do a LOT more than a single beat maker
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- you'll have a lot more songs and beats
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|
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- 3-5 songs a week
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|
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|
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*** scenario \#1
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|
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|
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| 2 producers | 5 voluntary song pluggers | 2 points |
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|
||||||
| 2 singer-songwriter (m/f) | | 2 points |
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|
||||||
| 1 vocal producer | | 1 point |
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|
||||||
| 1 engineer / rough mixer | | |
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|
||||||
|
|
||||||
*** scenario \#2
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|
||||||
| 1 producers | 4 voluntary song pluggers | 2 points |
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|
||||||
| 2 singer-songwriter (m/f) | 1 real song plugger with 10-15% commission | 2 points |
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|
||||||
| 1 vocal producer | | 1 point |
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|
||||||
| 1 engineer / rough mixer | | |
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|
||||||
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|
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** problems
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|
||||||
- two producers sell at the same time
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|
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- do a bidding war
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|
||||||
- give it to whoever gets it first
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|
||||||
|
|
||||||
- you need to get a producer agreement
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|
||||||
|
|
||||||
- everyone on the team needs to knw how to read it
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|
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@ -1,15 +0,0 @@
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#+title: 6 keys to consistently dropping music every 2 weeks
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|
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#+HTML_HEAD: <link rel="stylesheet" type="text/css" href="../../../_share/media/css/org-media-sass/categories/business.css" />
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|
||||||
|
|
||||||
* Links
|
|
||||||
#+attr_html: :class links
|
|
||||||
- [[../../toc.org][TOC - Music Money Makeover]]
|
|
||||||
- [[https://youtu.be/BBmn5ZKx12s?si=PQaCJm6MVSxjCeon][youtube video]]
|
|
||||||
|
|
||||||
* notes
|
|
||||||
|
|
||||||
1. must have a quality prouduct
|
|
||||||
- best judgement comes from people you don't know
|
|
||||||
- get quality assessment from internet
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|
||||||
2. streamline production and recording
|
|
||||||
- be ahead of release
|
|
||||||
|
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@ -1 +0,0 @@
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#+title: V08 Producer Contracts
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|
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@ -1,134 +0,0 @@
|
||||||
#+title: Description: sound exchage LOD
|
|
||||||
#+HTML_HEAD: <link rel="stylesheet" type="text/css" href="../../_share/media/css/org-media-sass/categories/business.css" />
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|
||||||
|
|
||||||
* link
|
|
||||||
|
|
||||||
- [[./_subsections/music-production-company/v08-producer_contracts.org][producer contracts]]
|
|
||||||
|
|
||||||
* definitions
|
|
||||||
** Copyrights Explained
|
|
||||||
:PROPERTIES:
|
|
||||||
:CUSTOM_ID: copyrights-explained
|
|
||||||
:END:
|
|
||||||
|
|
||||||
two main rights of copy in the music industry
|
|
||||||
1. "masters"
|
|
||||||
2. publishing
|
|
||||||
|
|
||||||
*** masters
|
|
||||||
**** sound recording copyright of the composition and or song
|
|
||||||
- sound recordings include
|
|
||||||
- records
|
|
||||||
- masters
|
|
||||||
- phonogram ℗ (sound recording copyright symbol)
|
|
||||||
- audio recording files
|
|
||||||
- wav, mp3, aiff
|
|
||||||
- master recoring royalties
|
|
||||||
|
|
||||||
**** master recording royalties
|
|
||||||
1. through the distributor
|
|
||||||
- tunecore
|
|
||||||
- distrokid
|
|
||||||
2. major label
|
|
||||||
|
|
||||||
**** performance royalties
|
|
||||||
- soundexchange (US based)
|
|
||||||
- PPL (UK based)
|
|
||||||
- collection companies outside the US are referred to as "neighboring rights"
|
|
||||||
|
|
||||||
*** Publishing
|
|
||||||
- performing arts copyright
|
|
||||||
- composition
|
|
||||||
- sheet music
|
|
||||||
- midi files
|
|
||||||
- publishing
|
|
||||||
- song to be performed
|
|
||||||
|
|
||||||
**** collect performance royalties for the composition
|
|
||||||
- [[https://www.bmi.com/][BMI]]
|
|
||||||
- [[https://www.sesac.com/][SESAC]]
|
|
||||||
- [[https://www.ascap.com/][ASCAP]]
|
|
||||||
- The American Society of Composers, Authors and Publishers
|
|
||||||
- US based
|
|
||||||
- [[https://www.prsformusic.com/][PRS for Music]]
|
|
||||||
- (UK based)
|
|
||||||
|
|
||||||
**** mechanical rights collections
|
|
||||||
- [[https://www.harryfox.com/][HFA]] - Harry Fox Agency
|
|
||||||
- [[https://www.musicreports.com/][Music Reports]]
|
|
||||||
- [[https://www.themlc.com/][The MLC]] - Mechancical Licensing Collective
|
|
||||||
|
|
||||||
**** lyric display royalties
|
|
||||||
- [[https://www.lyricfind.com/][LyricFind]]
|
|
||||||
- [[https://www.musixmatch.com/][musixmatch]]
|
|
||||||
|
|
||||||
|
|
||||||
*** 6 Rights of Copyright
|
|
||||||
United States Code title 17
|
|
||||||
|
|
||||||
1. Right to Reproduce
|
|
||||||
2. Right to Prepare Derivative Works
|
|
||||||
3. Right to Distribute
|
|
||||||
4. Right to Public Performance
|
|
||||||
5. Right to Public Display
|
|
||||||
6. Right to Digital Performance
|
|
||||||
|
|
||||||
** SoundExchange LOD in a Music Producer Contract
|
|
||||||
:PROPERTIES:
|
|
||||||
:CUSTOM_ID: soundexchange-lod-producer-contract
|
|
||||||
:END:
|
|
||||||
|
|
||||||
*** What is a SoundExchange LOD?
|
|
||||||
A *Letter of Direction (LOD) for SoundExchange* is a formal document signed by an artist, directing **SoundExchange** (the U.S. organization responsible for collecting and distributing digital performance royalties) to pay a portion of royalties to a producer or another third party.
|
|
||||||
|
|
||||||
*** Why is an LOD Important?
|
|
||||||
- Ensures that the *producer receives a share* of **digital performance royalties** from non-interactive streaming services like Pandora, SiriusXM, and web radio.
|
|
||||||
- Since SoundExchange only pays **artists and labels**, an LOD is necessary for a producer to be paid directly.
|
|
||||||
- Without an LOD, the artist receives all royalties and must pay the producer manually.
|
|
||||||
|
|
||||||
*** How an LOD Works
|
|
||||||
1. *Producer & Artist Agreement*: The producer's contract includes a percentage of digital performance royalties.
|
|
||||||
2. *Artist Signs the LOD*: The artist fills out and signs a **SoundExchange Letter of Direction**, specifying the producer’s share.
|
|
||||||
3. *Submission to SoundExchange*: The LOD is sent to SoundExchange for processing, and upon approval, the producer starts receiving their share directly.
|
|
||||||
|
|
||||||
*** Sample SoundExchange Letter of Direction (LOD)
|
|
||||||
#+BEGIN_SRC text
|
|
||||||
[Artist’s Name]
|
|
||||||
[Artist’s Address]
|
|
||||||
[City, State, Zip Code]
|
|
||||||
[Email]
|
|
||||||
[Date]
|
|
||||||
|
|
||||||
SoundExchange
|
|
||||||
733 10th Street NW, 10th Floor
|
|
||||||
Washington, DC 20001
|
|
||||||
|
|
||||||
Subject: Letter of Direction to Pay Producer Royalties
|
|
||||||
|
|
||||||
To Whom It May Concern,
|
|
||||||
|
|
||||||
I, [Artist’s Name], am the Featured Recording Artist registered with SoundExchange for the sound recordings listed below. I hereby direct SoundExchange to pay [Producer’s Name] ([Producer’s SoundExchange Member ID, if applicable]) a percentage of my digital performance royalties for these recordings, as detailed below.
|
|
||||||
|
|
||||||
***Sound Recordings:**
|
|
||||||
1. "[Song Title 1]" - [ISRC]
|
|
||||||
2. "[Song Title 2]" - [ISRC]
|
|
||||||
3. "[Album Title]" - [ISRC] (if applicable)
|
|
||||||
|
|
||||||
***Royalty Percentage to be Paid to Producer:**
|
|
||||||
- [X]% of the featured artist’s digital performance royalties
|
|
||||||
|
|
||||||
By signing below, I authorize SoundExchange to make the above payments directly to [Producer’s Name] and acknowledge that this direction is irrevocable except by mutual written agreement.
|
|
||||||
|
|
||||||
Sincerely,
|
|
||||||
[Artist’s Signature]
|
|
||||||
[Printed Name]
|
|
||||||
|
|
||||||
***Acknowledged and Agreed:**
|
|
||||||
[Producer’s Signature]
|
|
||||||
[Printed Name]
|
|
||||||
#+END_SRC
|
|
||||||
|
|
||||||
*** Additional Notes:
|
|
||||||
- The ISRC (International Standard Recording Code) helps identify the exact recordings.
|
|
||||||
- The artist must be a **registered member of SoundExchange** for this to be processed.
|
|
||||||
- This LOD is **only for digital performance royalties**, not mechanical or publishing royalties.
|
|
||||||
31
toc.org
31
toc.org
|
|
@ -15,22 +15,7 @@
|
||||||
- [[./_subsections/dailies/legally-print-1k-in-7-days.org][LEGALLY PRINT $1K in 7 DAYS on YouTube as an Artist! (No Money Needed)]]
|
- [[./_subsections/dailies/legally-print-1k-in-7-days.org][LEGALLY PRINT $1K in 7 DAYS on YouTube as an Artist! (No Money Needed)]]
|
||||||
- [[./_subsections/dailies/ten thousand dollar fundamentals.org][$10,000 fundamentals they wont tell new artists but I will!]]
|
- [[./_subsections/dailies/ten thousand dollar fundamentals.org][$10,000 fundamentals they wont tell new artists but I will!]]
|
||||||
|
|
||||||
** How to start a Music Production Company
|
* How to start a Music Production Company
|
||||||
*** contents
|
|
||||||
#+attr_html: :class playlist
|
|
||||||
1. [[./_subsections/music-production-company/v01-build-production-1.org][Build a Production Company LLC for Music Producers pt1]]
|
|
||||||
2. [[./_subsections/music-production-company/v02-build-production-pt2.org][Build a Production Company LLC for Music Producers pt2]]
|
|
||||||
3. [[./_subsections/music-production-company/v03-build-production-pt3.org][Build a Production Company LLC for Music Producers pt3]]
|
|
||||||
4. [[./_subsections/music-production-company/v04-sell-beats-online.org][Sell Beats Online for Maximum Profit]]
|
|
||||||
5. [[./_subsections/music-production-company/v05-8-valuable-assets.org][8 VAluable Assets Music Producers Need to Make Money]]
|
|
||||||
6. [[./_subsections/music-production-company/v06-build_a_team.org][How to build a team for music producers fast]]
|
|
||||||
7. [[./_subsections/music-production-company/v07-music_producer_jobs.org][what jobs can a music producer do]]
|
|
||||||
8. [[./_subsections/music-production-company/v08-producer_contracts.org][how producer contracts work]]
|
|
||||||
9. [[./_subsections/music-production-company/v09-record_label_lawyer.org][find the right lawyer for your record label]]
|
|
||||||
10. [[./_subsections/music-production-company/v10-understand_contracts.org][how to understand music contracts to avoid getting screwed]]
|
|
||||||
11. [[./_subsections/music-production-company/v11-double_money.org][double your money]]
|
|
||||||
12. [[./_subsections/music-production-company/v12-6_keys_music_every_week.org][6 keys to dropping music every week]]
|
|
||||||
|
|
||||||
*** Playlist
|
*** Playlist
|
||||||
#+attr_html: :class playlist
|
#+attr_html: :class playlist
|
||||||
1. [[https://youtu.be/oxHJ5uVe-ss?si=NF9vkZjPifMt0m-5][How to Build a Production Company LLC for Music Producers]]
|
1. [[https://youtu.be/oxHJ5uVe-ss?si=NF9vkZjPifMt0m-5][How to Build a Production Company LLC for Music Producers]]
|
||||||
|
|
@ -40,9 +25,19 @@
|
||||||
5. [[https://youtu.be/5Orr9Xwm3Ww?si=gmkGVumX9B8OsPwN][8 Valuable Assets Music Producers Need to make money]]
|
5. [[https://youtu.be/5Orr9Xwm3Ww?si=gmkGVumX9B8OsPwN][8 Valuable Assets Music Producers Need to make money]]
|
||||||
6. [[https://youtu.be/xLIx4OS50Mc?si=TYSd-y0kmTQLHMpD][How to build a team for music producers fast!]]
|
6. [[https://youtu.be/xLIx4OS50Mc?si=TYSd-y0kmTQLHMpD][How to build a team for music producers fast!]]
|
||||||
7. [[https://youtu.be/XJXQAW-I_h4?si=GldrBNsTNJVmaKN3][What Jobs can a music producer do?]]
|
7. [[https://youtu.be/XJXQAW-I_h4?si=GldrBNsTNJVmaKN3][What Jobs can a music producer do?]]
|
||||||
8. [[https://youtu.be/qynZtQICdtk?si=G2XlW7E9JBxaYQaE][How producer contracts work! The Ultimate Video]]
|
8. [[https://youtu.be/qynZtQICdtk?si=G2XlW7E9JBxaYQaE][How producer contracts work! The Ultimate Video]] *current*
|
||||||
9. [[https://youtu.be/Pxht0nqnhws?si=Ns0mzrJXUXuvE7qz][How to find the RIGHT Lawyer for your Record Label]]
|
9. [[https://youtu.be/Pxht0nqnhws?si=Ns0mzrJXUXuvE7qz][How to find the RIGHT Lawyer for your Record Label]]
|
||||||
10. [[https://youtu.be/IxpnflsDo5s?si=Y4_BTRfPZqmHZo9V][How to understand music contracts to avoid getting screwed]]
|
10. [[https://youtu.be/IxpnflsDo5s?si=Y4_BTRfPZqmHZo9V][How to understand music contracts to avoid getting screwed]]
|
||||||
11. [[https://youtu.be/dhT309VGQgQ?si=ie5EJIvwNntKe2xg][Producers & Songwriters: DOUBLE YOUR MONEY! | Get The BAG!]]
|
11. [[https://youtu.be/dhT309VGQgQ?si=ie5EJIvwNntKe2xg][Producers & Songwriters: DOUBLE YOUR MONEY! | Get The BAG!]]
|
||||||
12. [[https://youtu.be/BBmn5ZKx12s?si=PQaCJm6MVSxjCeon][6 Keys to Consistently Dropping Music Every 2 Weeks!]] *current*
|
12. [[https://youtu.be/BBmn5ZKx12s?si=PQaCJm6MVSxjCeon][6 Keys to Consistently Dropping Music Every 2 Weeks!]]
|
||||||
13. [[https://youtu.be/Sr5Tjn7JWlU?si=56otgRRqWZb-NE-A][The Top 3 Missed Gems in a Music Producer’s Contract]]
|
13. [[https://youtu.be/Sr5Tjn7JWlU?si=56otgRRqWZb-NE-A][The Top 3 Missed Gems in a Music Producer’s Contract]]
|
||||||
|
|
||||||
|
#+attr_html: :class contents-overview
|
||||||
|
- [[./_subsections/music-production-company/v01-build-production-1.org][Build a Production Company LLC for Music Producers pt1]]
|
||||||
|
- [[./_subsections/music-production-company/v02-build-production-pt2.org][Build a Production Company LLC for Music Producers pt2]]
|
||||||
|
- [[./_subsections/music-production-company/v03-build-production-pt3.org][Build a Production Company LLC for Music Producers pt3]]
|
||||||
|
- [[./_subsections/music-production-company/v04-sell-beats-online.org][Sell Beats Online for Maximum Profit]]
|
||||||
|
- [[./_subsections/music-production-company/v05-8-valuable-assets.org][8 VAluable Assets Music Producers Need to Make Money]]
|
||||||
|
- [[./_subsections/music-production-company/v06-build_a_team.org][How to build a team for music producers fast]]
|
||||||
|
- [[./_subsections/music-production-company/v07-music_producer_jobs.org][what jobs can a music producer do]]
|
||||||
|
- [[./_subsections/music-production-company/v08-producer_contracts.org][how producer contracts work]]
|
||||||
|
|
|
||||||
Loading…
Add table
Reference in a new issue