courses-music/ableton/_subsections/sec08/lesson-57.org
2024-11-27 04:42:18 +02:00

2.9 KiB

S08 | Audio Recording Fundamentals - 57, 58, 59

Notes

hardware setup

microphone

  1. need XLR cables

    • 3 pin
    • used for the microphone
  2. plug the microphone to the interface using the xlr cables

    • inputs 1 or inputs 1 + 2
    • can plug in multiple microphones
  3. plug the interface into the computer

using interface for backsound

  • recomended
  • plug the speakers into the interface

    • speakers are plugged into the outputs on the interface device
    • outputs 1 + 2

notify ableton of what you are doing

  • go to Preferences->Audio

    • Audio Input Device
    • Audio Output Device

turn on the channels you are going to use

  • Settings->Audio->Channel Configuration->Input Config
  • turn it on for both mono inputs and stereo inputs
  • turn on the ones you are going to use, that your device is capable of using

sample rate

  • what sample rate do you want to record at?

    • standard for digital audio is 44100 samples per second
    • 48000 is becoming standard
    • you can go to 88200

      • will make huge files
      • for concerts

latency

latency is the delay going into your microphone and going out through your speakers

we need to make that as small a time as possible

buffer size

  • how big of a chunk live is going to use to process the sound

    • higher values give higher sounds quality
    • but also cause higher required processing time
  • 32 samples

    • no problem for recording
    • problem for playback

driver error compensation

  • if your audio interface has a certain amount of latency built in, you can indicate that there
  • check your documentation for your audio interface

input latency

  • this is what will cause the problems, so you need to focus on that

microphone placement

how much air is going into your microphone

  • this will give you a ballpark figure
  • think about the type of microphone

    • dynamic microphones can handle a lot of air better
    • condensers are highly sensitive

the way to block off air is by using a "wind screen"

  • this protects against 'p' sounds

trumpets

  • dynamic might not be an issue
  • with a condensor, that is sensitive

    • put it in front and turn it
    • move it off to the side a little bit

      • you are moving the diaphram off at an angle so a lot of the air will angle off